inside out is a brand new series that invites djs and producers to blur the boundaries between traditional artist albums and mix compilations. coming from aus music label head and dj-kicks curator will saul is at the helm for the first volume.

the 1st of 3 eps that make up will long’s new album “long trax 2”. as much as is said of our current times being new lows, where things have changed for the worse and we’re unsure of the future, it’s worth returning to study the past to understand how steadily low we remain. “nothing’s changed”, says a younger barack obama in a sample for the opening track. “long trax 2” is the second album from will long after his 2016 “long trax” debut on comatonse recordings. the album presents as an ongoing criticism of cultural stasis, conveyed via minimal synthesizers, sampler, and rhythm machine. dancefloors are widely perceived by the masses as safe zones, but few can imagine how to apply notions of safety and equality to other aspects of society. we shouldn’t need clubs to hide from our fears and differences in the outside world. looking ahead, we should look not so optimistically upon what we have accomplished, but with urgency and empathy upon what we haven’t.

the 2nd of 3 eps that make up will long’s new album “long trax 2”. as much as is said of our current times being new lows, where things have changed for the worse and we’re unsure of the future, it’s worth returning to study the past to understand how steadily low we remain. “nothing’s changed”, says a younger barack obama in a sample for the opening track. “long trax 2” is the second album from will long after his 2016 “long trax” debut on comatonse recordings. the album presents as an ongoing criticism of cultural stasis, conveyed via minimal synthesizers, sampler, and rhythm machine. dancefloors are widely perceived by the masses as safe zones, but few can imagine how to apply notions of safety and equality to other aspects of society. we shouldn’t need clubs to hide from our fears and differences in the outside world. looking ahead, we should look not so optimistically upon what we have accomplished, but with urgency and empathy upon what we haven’t.

the 3rd of 3 eps that make up will long’s new album “long trax 2”. as much as is said of our current times being new lows, where things have changed for the worse and we’re unsure of the future, it’s worth returning to study the past to understand how steadily low we remain. “nothing’s changed”, says a younger barack obama in a sample for the opening track. “long trax 2” is the second album from will long after his 2016 “long trax” debut on comatonse recordings. the album presents as an ongoing criticism of cultural stasis, conveyed via minimal synthesizers, sampler, and rhythm machine. dancefloors are widely perceived by the masses as safe zones, but few can imagine how to apply notions of safety and equality to other aspects of society. we shouldn’t need clubs to hide from our fears and differences in the outside world. looking ahead, we should look not so optimistically upon what we have accomplished, but with urgency and empathy upon what we haven’t.

the second outing from yaleesa hall in this two-piece ep series on will & ink. the 13th release on the label packs a visceral punch across four fresh tracks that are perfect for dance floor deployment. first track daisy wright kicks off with minimal but impactful drum rhythms that eventually get cut up with tumbling sirens, hammering hits and blasts of dirty noise. it s hugely physical stuff, while follow up barbara adams is more stripped back and mysterious. icy hi hats tick, howling synths sound bring a sadness and the depth of stern field as sounds play out above, below and all around you is truly standout. harriet brown then sinks into a deeper electro groove with spangled bass, before a vip mix then slows things down to a dread fuelled dub wise swagger that eventually breaks out into oscillating, stuttering rave madness. it makes for one hell of a thrilling ride and kicks off a promising year for both yaleesa hall and the will & ink label.

inside out is a brand new series that invites djs and producers to blur the boundaries between traditional artist albums and mix compilations. coming from aus music label head and dj-kicks curator will saul, the concept encourages artists to showcase their own music and or the music of those in their own individual circles. the mix will be release digitally and on cd, while a selection of the tracks will also be available on double gatefold vinyl. each instalment will feature 100% new and unreleased music. it is a chance for artists to take sole creative charge, a&r as they see fit and then commission brand new music specifically for the cause. depending on who is at the helm, inside out will take different forms: producers may wish to represent their own sound with only music they have made themselves or with close collaborators, while djs and label heads may wish to reflect the sounds and scenes that surround them. the results will be a window into an artists world that works as a coherent mix, but also as a treasure trove of fresh new music that steps outside the usual lines of a dance album. the idea stems from will sauls own approach in the club, which often finds him seeking out brand new and unheard music to play for the first time. that feeling of taking people into the unknown is one that reminds him of the energy and excitement of his early days as a dancer.

yaleesa hall is back on his home label will & ink with two eps in quick succession. after releasing his debut album in 2016 this is the first solo output from the amsterdam based producer on the label. this first ep is entitled zoe hayley laura and features a trio of tracks that melt electro, techno and broken beats in arresting ways. opening up the ep is zoe price, a silky electro track with shooting synths and big downward bass strikes that add real depth. it s a urgent and arresting affair to wake up the floor. hayley roach then has much more forceful drums that come in one two punch combinations to the gut. synths writhe and gurgle up top as pads rise up and down the scale and the whole thing is brilliantly large. laura pomeroy then rocks back and forth on its heels, with train track like percussion and malfunctioning machine stabs. it s a real tussle between different elements and locks you right in as a result. once again then, the irrepressible yaleesa hall leads from the front.

2000 release incl. harry choo choo romero remix. ltd warehouse find

a year after his last 12 inch release here we are. thats desire ep and few months after a cd release hamburg süd/nee iyaow eow eow featuring experimental field recordings and vocal improvisations, wolfgang tillmans returns with a new extended play on his own label fragile.

this is high tension experimental electronica just the way i love it!

brilliant 4 track deep house groover

the mindblowing second album from george clinton’s warped band of brothers. pressing on 180 gram vinyl.

ltd 2017 repress - following the rapturously received top ten album *our love*, which has dominated end-of-year lists, caribou has revealed a gloriously layered remix of *your love will set you free* by the one and only carl craig. dan snaith had this to say about the remix: *carl craig is a peerless remixer. i ve dreamed of having him remix one of my tracks for ages. he was one of the first people to publicly mention how much he liked *swim* when it was released and we ve been in touch since then. before i d gathered up the courage to ask him to remix a track on this album he got in touch and suggested it himself. the result is superlative and speaks for itself.*

with the quality of the original-tracks ep we had to provide the best remix(es) ep we could. that s why we chose to work with incredible artists such as nebraska , black loops , the almighty jay haze & fellow-lithuanian producer bal5000.

gil scott-heron’s 1974 album available on vinyl again.

leroy burgess - one of the pioneers of boogie, a legendary figure in the nyc disco scene and all-out originator is well known by dance music aficionados across the globe for his output. his logg project from the early 80’s especially has acquired a cult status amongst diggers, released on salsoul in 1981 and boasting mixes from larry levan the lp became an instant club classic that still commands the dancefloor in 2017. salsoul is a label that isn’t afraid to bridge the gap between their hugely groundbreaking catalogue and contemporary dance music. they understand the impact and influence their music has had on dj culture and embrace it wholly. step up uk underground producer marquis hawkes who originally approached salsoul with this set of killer reworkings that had long been private versions that featured in his sets. having dropped ep’s for labels such as dixon avenue basement jams, aus music, houndstooth and many more his name is firmly planted in the minds of record fiends across the nation. adopting a classic us style of production, using analog gear, dope loops and chops and finessing it all with his own grittiness, hawkes seemed a good fit to remix 2 stellar joints from logg s catalogue. something else and i know you will both get cut up, re-edited and laced with rock solid drum programming by hawkes on this sublime 12’’. lovingly tweaked with just the right amount of rawness for the dance this one won t leave your bag anytime soon! pure peak-time sounds here, another example of salsoul embracing the sounds of now and breathing freshness into their untouchable catalogue. essential.

wewillalwaysbealovesong is proud to welcome one of the most prolific producer of the moment in the person of ponty mython . after amazing releases on label such as dirt crew recordings & quintessentials it is with a lot of pride that we are releasing this brillant 4-tracks ep .

eliphinos joy in repetition imprint presents will lister s sophomore release, space to breathe. after a solid introduction to the world on phonica records in 2015, this ep finds will in strident form displaying production acumen that belies /beyond his 20 years. floating around the 110bpm mark, there are prominent elements of jazz, hip hop and house music. his production efforts create a warm ethereal atmosphere cut with a tough percussive edge. this prodigious young producer has a great deal of talent and will be someone you ll hear a lot more about in the coming years. dj support: larry heard said: very nice! thanks… midland: lovely this is! john m gomez karma is bubbling really nicely, thanks! alex nut: yeah this is wicked, will is defo one to watch, i ll be showing this release some love 4 sure. graham lockhurst (mr bongo) big fan of will. this is excellent

well sea - a splashing, refreshing new series from rss discoÆs mireia records. on this second entry marcus worgull and johannes klingebiel scout out the most euphoric and simultaneously intimate moments of the night. double a! visually, mireia records is always on the lookout for the extraordinary. well sea offers beautifully marbled turquoise vinyl, housed in a heavy clear sleeve, hand stamped labels and a sticker. sales points you know marcus from his work as a part of innervisions and the band vermont (together with motor city drum ensemble) - you know johannes from his hit-release nightlife on mireia records earlier this year and the bands vimes and c.a.r.? you know the record is going to be great

bad penny from nyc with her magnificent debut. bright melody lines undercut by harsh and heavy bass analog synths and minimal rhythms. low vocal timbre with punk-influenced growls. lyrics fueled by the anxiety and harshness of american city life. on 7 inch vinyl

lindstrom meldet sich in seinem klassischen cosmic-disco-sound zurück und hat gleich auch den ersten remix des comatonse-künstlers und dj sprinkles-kollaborators will long mit im gepäck.

austin ato is the latest project from colin bailey, the multi talented producer from oban in scotland who has been the man behind the drums of death moniker since 2008, and has also recorded under the frankie dreams and coba aliases. with forthcoming material also due on phonica white, ato lands on futureboogie with the massive feel good vibes of music will save the day, backed with two superb remixes from auntie flo and christophe. featured here are two original mixes of music will save the day. the dub mix the is classic house music jam, packed full of energizing musical flourishes, from the balearic tinges of the sequenced mallet riff, whimsical pads and booming bassline to the searing crowd chant and the joyous piano motif. ato displays some serious musical chops here, which are further enhanced on the vocal mix with the addition of a bi-lingual vocal hook that will surely act as a call to arms on any discerning dancefloor. on the auntie flos hidden garden remix, the huntleys & palmers mainstay strips things right back for a beatless excursion, letting the percussive elements drive the forward motion whilst the melodies and thick synth pads wash over like crashing waves, a great reinterpretation by brian dsouza aka auntie flo. futureboogies very own christophe provides the second remix, tweaking an acid riff over a heavy, old school drumbeat and teasing in the musical elements, providing a tougher and more jackin take on the original mix, whilst keeping faithful to the original vibe.

well sea - a splashing, refreshing new series from rss discoÆs mireia records. packed with four summery, gleaming tracks on this first entry, moving your feet on the beach and your hips by the pool. das komplex and manuel binder ft. julian stetter dazzle with their groove and stirring playfulness while rss disco and conga fever deliver the soothing companions that will tingle your balearic sentiments. this kinda love is a once in a lifetime groove! visually, mireia records is always on the lookout for the extraordinary. well sea offers beautifully marbled purple vinyl, housed in a heavy clear sleeve, hand stamped labels and a sticker.

300 vinyl only hand numbered copies. after the great quick success of the qvw002, proud to present next one from the italian talent christian lisco with 4 raw housy tracks.

2016 was a banner year for dirtybirds founder, claude vonstroke. he debuted his get real alias with green velvet in the winter, and followed up with another number one single in the spring with the rain break. he celebrated the 10th anniversary of whos afraid of detroit to kick off the summer, and finished in the fall by being crowned americas best dj by pioneer at a ceremony he shared with all the fans at the dirtybird campout. after a relentless touring schedule the first half of 2017, claude hit the studio with a couple ace producers, will clarke & sébastien v to collaborate on two giant singles for the works well with others ep. tiny tambourine is the product of will clarke & claude working together. its a bit of a misnomer, as tiny is the last word to describe the heavy bassline which starts to form immediately at the tracks outset. continuing to build over crisp and heavy beats and outbursts of drama before dropping back to the burly bassline, the result is monstrous. will clarke has been on a dirtybird hot streak having released 3 solo eps, 5 singles, an appearance on justin martins album, as well as a brand new collab with shiba san on the bbq compilation and a full takeover on the birdhouse radio show. on the flip side, claude teams up with one of dirtybirds freshest talents, sébastien v, for daylight dark room a light, melodic tone contrasts with a dark and funky acid resonance to create a truly unique masterpiece. the mysterious sébastien v was also featured on the dirtybird bbq compilation with his super-hot track funkulate, and there are rumors floating around that he is actually someone from the core dirtybird roster sporting a secret alias.

whyte numbers follows through with an excoursion to georgia, where we found the mysterious will gates. on his debut ep, dedicated to his hometown tbilisi, you ll find 4 original cuts with no frills, plus a mellow acidic vibe workout by our man lootbeg. the record is sure to grab any listeners ear with mellow house featuring a host of fresh jazz and hip hop influences. adding to a beautiful use of vocal loops, he brings forth a refreshing piece of wax that creates another home run for both label and artist.

killer chicago sound from jackin house to basement dance mania style

imagine a collab between cabaret voltaire and eric copeland mixed by the scientist and you’ll start to enter the sphere of robin asselman. all spectrums explored. the off kilter dub waltz of ’16-16’ stutters into view with a heavy and heady rolling dread, whilst inaudible vocal snippets and flatlining synth lines echo and enforce a melee of repetition and danger. ‘fitness talk’ perhaps best showcases assel’s interest in dubwise production techniques, and his ability to soak up a palette of sound and turn it into something truly his own. soft familiar bass pads provide the backbone here for all out sample mayhem, a space where recognisable dub effects and sonars vibe alongside absolutely unsettling outer samples of jarring vocals and inaudible upset, purposefully mixed to jolt ears into unfamiliar territories. being the nephew of dj marcelle, this experimental approach and inspiring concept of pushing samples to the absolute limits of their origin to create a new unexplored path is clearly something that has been fed down from marcelle to robin throughout his youth....

nice price deal !!! the second strong release, deep dark & funky !! a great start for the label...support from mr. scruff, meat katie & adam freeland - high quality !

incl julius steinhoff version (smallville) ...telfort returns with a third 12inch on his own imprint, following the aptly titled debut in a good place and stellar follow-up lickety split. his best yet, the edinburgh-based producer drops the evocative and soul-stirring soon i will embark on a journey, with its immense, alluring melody and downright addictive grooves. on the flip, the hazy and hypnotic æuntil nowÆ takes us further on the journey with its shimmering textures and mesmeric flow, radiating warmth through mind-soothing chords and gritty percussion. further on, we hear a reinterpretation from julius steinhoff, co-founder of smallville records and half of smallpeople. serene and smooth but equally stomping and floor-ready, the melancholic strings and trickling percussion slowly develop and captivate in a sublime and entirely fitting rework.

!! vinyl only !! four originals from the italian artist. turins rills has been steadily gaining a strong following over the decade with his tracks being played the likes of ar:pi:ars raresh, daniel bell, dyed soundorom and cassy, and finding a home on imprints such as 8bit, in haus wax and esperanza. here we see rills join the roster of visionquests vinyl only offshoot label, special editions, following material from jorge savoretti, konrad black and quilla. zorlak opens the package and sets the tone of raw and dubby via murky atmospherics, swirling chord sequences and a swinging rhythmic drive, yoda follows and retains a similarly swung drum groove whilst introducing spaced out, unfolding pads across the composition. stranger freaks kicks off the b-side of the release, stripping things back to bumpy drums, heady resonant synth swells and hypnotic tension buildings drones before paper beatz rounds out the package with smooth deep pads, modulating synth stabs and shuffling hats.

it is with great pleasure & pride that we unveil our forthcoming release courtesy of the almighty ilija rudman . we are delighted to have him on board & we hope that you are going to like his ep!

spring has sprung... which means bbq season is here! our annual grill-orientated tour is in full swing and as no dirtybird bbq would be complete without some tunes, this year s soundtrack is dirtybird bbq: secret ingredients . we kept it stacked just like our bbq plate, with music from dirtybird shiba san & will clarke, dj glen, sébastien v and seumas norv.

bella union is thrilled to release will stratton’s album rosewood almanac, the american’s debut for the label. it’s a work of fragile magic, a hypnotic combination of beautifully breathy voice and exquisite lyrical imagery, gorgeous melodies and similarly soft-spun instrumentation, centred on his thrumming acoustic guitar and the verdant presence of velvet strings.
the vinyl release includes a download code.

next up on aus music is the return of label boss will saul working alongside long term label favourite komon. together the duo line up harmonise - a smouldering single that comes backed up with an almighty pair of remixes from osgut ton mainstay nick höppner and analogue aficionados juju & jordash. the title track kicks things off with glowing, interweaved synths and a pattering tom line. vocal snippets and trippy delays suffuse a purposeful bass tone before the 101 dub version rolls out with punchy drums and a sharp, darting acid line. berghain regular nick höppner then does what he does best with his remix in building a rich, hypnotic groove that steadily develops with intricacy and depth. dekmantel and golf channel regulars juju & jordash then drive a warped, rumbling synth line through spacey atmospherics rounding off another fine addition to the catalogue.

official sony reissue of charles earland s coming to you live another one of those rare infectious 12- releases which has grown in stature over the years. championed by big names such as gilles peterson, theo parrish and moodymann, it has become a firm favourite with dj s and clubbers alike, entertaining many discerning dance-floors. pressed on 180g vinyl shrink wrapped, using the original master tapes

the latest outing on will & ink is a remix ep that finds parisian producers bambounou and simo cell team up for four reworked versions of yaleesa halls woodall lp. both artists are known for their releases on 50 weapons, livity sound and wisdom teeth. right here, on will & ink, two solo outings with another two collaborated remixes on the b-side showcase their dubbed out, stripped back and paranoid dark parisian trademark sound. their very specific sound sounds like little else and is a solid match with yaleesa hall and the amsterdam imprint as this ep proves.

deluxe, will sessions’ debut lp of original material, contains tracks previously available as limited press 7- records, freshly remastered for a full length album. the album contains guest appearances from detroit legends allan barnes (blackbyrds) and amp fiddler (parliament/funkadelic), as well as florida’s own king of funk rickey calloway, and relative new-comer coko (funk night records). the album is a collection of singles reminiscent of classic funk and soul with deep breaks, tight rhythm section, blazing horns, and raw vocal performances.

amsterdam based artist and creative technologist andeh lang is back on will & ink. after debuting on this label in august 2016 with an uncredited black label, he now serves up three more tracks that show off his interest in shaping and sculpting sounds for the main imprint. all these tracks were created with his own custom made software and self-programmed audio algorithms. three experimental techno excursions that go by the name of susskind showcase a wide variety of deserted techno landscaping by a creative mastermind.

black truffle presents people pleaser, the new lp from nantes-based drummer and percussionist will guthrie. initially rising to prominence in australia as a drummer in the fields of jazz and improvised music, guthrie later turned increasingly toward electronics and amplified percussion, developing an idiosyncratic style of electro-acoustic performance characterized by shimmering metallic textures, rapid-fire textural transformations and aggressively high volume. recent years have seen a return to the drum kit in both solo and collaborative work, in performances where guthrie uses duration and endurance to push at the limits of his formidable technical abilities as a player in the free jazz tradition, working variations on short rhythmic units into an endless flow of non-metered pulse.

the second release from will sessions’ newly launched record label sessions sounds. this is the frst collaboration between will sessions and elzhi since the critically acclaimed mixtape, elmatic.
the a side features an explosive extended verse from elzhi, on top of an anthemic beat performed and produced by will sessions. the b side is an instrumental edit that takes you deeper into the production of will sessions.

hamburg based rdk island launches with an ep of forward thinking house jams from lo-will, backed up by two essential remixes from orson wells.

fresh for 2017 is the first release from will sessions own sessions sounds label. first up is a collaboration with detroit legend amp fiddler (parliament/funkadelic), a single featuring two songs from their forthcoming collaborative lp. lost without you is a modern boogie anthem featuring the narrative lyrics of amp fiddler, the on point background vocals of the dames brown, and the tight performance and production of will sessions. seven mile is a hard hitting soul track that takes you on a lyrical ride through detroit, featuring lush strings and hard hitting breaks.

farrago debut shows how music can be so simple but at the same time very effective. this 4 cuts are expressing what this artist can say to us using less possible elements. simplicity is the ultimate sophistication.

* the 12 inch plays the same both sides
* original mix only
* re-mastered by matt colton from the original dat tape
* originally released on vinyl r&s in 1994, meditation will manifest was re-earthed in 2016 by nina kraviz and ricardo villalobos, becoming a secret weapon on dancefloors 22 years after its original release.

dj yellow is one of the pioneer of the electronic music scene in france and the king of hypnotic house music , we feel blessed to have him on the label . vinyl only